This is the (shorter) English version of La leçon de cinéma: François Truffaut (1983), a documentary/interview with Truffaut in which he talks about his films and career. It was filmed in 1981 and re-released for Channel 4 in 1989. A fine treat for the admirers of this great director.

Des patients en psychiatrie décident de tourner deux scènes d’un long métrage qu’ils rêvent de faire et parlent de leur maladie, de leurs traitements… de leurs vies. Une équipe de professionnels les suit.

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In eight films, Jacques Audiard has renewed French cinema, without alienating either the critics or the success. It is only at the age of 42 that he starts directing, after having been an editor and a scriptwriter. In 1994, he directed his first film, "Regarde les hommes tomber", whose conflicting shooting was an ordeal for this misanthropic beginner. It was with "Sur mes lèvres", in 2001, that he forged his cinematographic language: contained lyricism, deliberate imperfection of images, ellipses plunging the audience into a maelstrom of sensations. With each of his films, Jacques Audiard intends to renew himself, at the cost of challenges and doubts always more vivid.

When a fortuneteller predicted Lisa's death on August 15 in midst of fear and violence, she shrugged. Yet, this morning, as the sun rises over a deserted and heat-scorched city, the police is desperate. The killer of three women will strike again by midnight. Suddenly Lisa feels less serene. Especially since she is sure, a man has broken into the empty building. August 15th will be a very hot day….

An intimate window into one of the great movements in film history that brought about an evolution in the art of cinema. The documentary portrays the movement with insight on the lives and works of Jean-Luc Godard, François Truffaut and other principal players in the New Wave.

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Jeune Cinéma is a footage film documentary about the famous yet forgotten Hyères 　　Film Festival which took place from 1965 to 1983. It was at that time the most important 　　in France just after the glamorous Cannes Film Festival and a friendly place to discover 　　young directors such as Gilles Garrel, Akerman, Helma Sanders, Schroeter or Carax 　　before they became a legend for the art-house film amateurs. Hyères was a vivid 　　space for passionate debates, incredible polemics and above all surprising encounters. 　　In a word, it was THE place to be for all the cinephiles. If it suddenly disappeared 　　in 1983, it is not only because of internal and political conflicts but also for an unfair 　　competition with Cannes. The « Perspectives » section at Cannes, widely inspired 　　by Hyères, was attracting those same young talents discovered there. My personal 　　history as a filmmaker is deeply tied to the “Collectif Jeune Cinéma”, which was 　　in charge of the “Cinéma Différent” section. Therefore, it’s with a real emotion that 　　I have dived into the festival’s unreleased archives - finding astounding debates 　　or hilarious reactions of the audience - in order to reweave the thread of that forgotten 　　and yet so meaningful story about Cinema.

Jeune Cinéma is a footage film documentary about the famous yet forgotten Hyères 　　Film Festival which took place from 1965 to 1983. It was at that time the most important 　　in France just after the glamorous Cannes Film Festival and a friendly place to discover 　　young directors such as Gilles Garrel, Akerman, Helma Sanders, Schroeter or Carax 　　before they became a legend for the art-house film amateurs. Hyères was a vivid 　　space for passionate debates, incredible polemics and above all surprising encounters. 　　In a word, it was THE place to be for all the cinephiles. If it suddenly disappeared 　　in 1983, it is not only because of internal and political conflicts but also for an unfair 　　competition with Cannes. The « Perspectives » section at Cannes, widely inspired 　　by Hyères, was attracting those same young talents discovered there. My personal 　　history as a filmmaker is deeply tied to the “Collectif Jeune Cinéma”, which was 　　in charge of the “Cinéma Différent” section. Therefore, it’s with a real emotion that 　　I have dived into the festival’s unreleased archives - finding astounding debates 　　or hilarious reactions of the audience - in order to reweave the thread of that forgotten 　　and yet so meaningful story about Cinema.